Department of Art, Culture & Languages · Government of Delhi

Delhi Cultural Policy

A framework for making art and culture part of everyday public life.

InstitutionDepartment of Art, Culture & LanguagesPracticePolicy research and strategyScaleCity and neighbourhood
Cover of the Cultural Policy for Delhi

The question

How can a public cultural system move beyond occasional central events?

The work examined culture as public infrastructure: something that needs local spaces, regular programmes, research, documentation, livelihood support and ways for people to participate. It set out a practical framework spanning neighbourhoods, institutions and the city.

The starting point

Culture was concentrated at the centre.

Public funding and major programmes were largely confined to central Delhi. The result was a cultural system shaped by a small institutional and social circle, with limited access for people living elsewhere in the city.

The task was larger than taking established programmes to new audiences. It required distributing resources, recognising different practices and giving communities a role in deciding what cultural life could look like locally.

70assembly constituencies, each with an annual cultural allocation of ₹25 lakh

Decentralised decisions

Local cultural committees worked with elected representatives to shape programmes.

Communities could choose the forms that mattered to them, from popular music to community-specific traditional performance. Government created the structure and provided the funds; local participants influenced the programme.

Neighbourhood culture

Dastak series

The Dastak series took cultural programmes into neighbourhoods across Delhi. A qawwali in Janakpuri drew people from surrounding areas and created a shared public moment across social and religious difference.

Participation

Local talent

A citywide talent initiative travelled to wards and invited residents to register and perform, giving people who rarely entered formal cultural venues a public stage close to home.

Recognition

Street artists

Singers, hip-hop artists and street actors entered government-supported cultural programmes, widening the definition of artistic practice eligible for public recognition.

1,500people attended one Dastak qawwali in Janakpuri
300wards reached by the local talent initiative
1,000street performers included in public cultural programmes

A moment from the field

A stage within reach

A young mother from a conservative household entered a local talent event and danced in her own neighbourhood. She said she would never have been able to leave her mohalla to take part in a conventional talent show. The programme did more than bring an audience to an event. It made participation possible on familiar ground.

Policy vision

Culture can be organised as a continuing public system: accessible locally, open to different art forms and connected to daily life.
Policy vision page from the Delhi Cultural Policy document

01 · Places

Arts infrastructure

Activate spaces at several scales: local centres in constituencies, district venues, heritage sites and everyday public places. Metro stations, markets and parks can become settings for participatory cultural activity.

  • Vidhan Sabha cultural centres
  • District performance spaces
  • Heritage sites
  • Public spaces
  • Technical support
Arts infrastructure chapter artworkArts infrastructure proposals
LOCAL CENTRESPUBLIC SPACEHERITAGEDISTRICT VENUES

02 · Programmes

Festivals with distinct publics

Move beyond one generic festival model. Programme for children, young people and senior citizens; connect art with science and environment; recognise the city’s many languages and food cultures; and create a Pan-Delhi public art festival.

Festivals chapter artworkFestival programme proposals
Documentation and archiving proposal
Documentation and archiving: artists’ directories, audio-visual records, process documentation and accessible public archives.

03 · Memory

Keep heritage present

Conservation alone is not enough. Events, workshops and public programmes can keep monuments, artisan practices, songs, folklore and local knowledge alive in contemporary imagination.

Tangible and intangible heritage chapter

04 · Knowledge

Fund research

Grants, fellowships, seminars and accessible archives can support work in neglected and under-represented areas, including interdisciplinary research across art, science and technology.

Research and development chapter

05 · Learning

Arts education across a lifetime

Expand long-term courses and create shorter points of entry. Support children and young people, women already making art at home, working artists and members of the public who want deeper engagement with the arts.

Arts education policy proposal

06 · Livelihood

Support cultural work

Recognise the economic insecurity of cultural practice. Pensions, loans, fellowships, scholarships, production grants, travel support and funds for community art can widen who is able to sustain a practice.

Financial assistance chapter
Publicity and outreach chapter

07 · Reach

Make public programmes findable

Combine newspapers, neighbourhood publicity, newsletters, radio, social media and a public website. Outreach should be timely, useful and shaped around the people a programme is intended to reach.

Missed-call publicity

MISSED CALL
FOR CULTURE

A missed call became a cultural subscription.

A free missed-call service let residents subscribe to regular event updates. Communication became part of cultural infrastructure, alongside venues, funding and programming.

Urdu festival publicity

اردو
URDU FESTIVAL

Language festivals brought distinct publics together.

Festivals for Sanskrit, Hindi, Urdu, Punjabi and Maithili-Bhojpuri brought different audiences into Central Park through poetry, music and live performance.

Regular cultural events chapter

Governing principle

Participation, representation and shared ownership.

The policy treats citizens as stakeholders in cultural life, with deliberate space for under-represented groups and diverse art forms.

Inclusion as a governing principle

Behind the public programme

The institutional work

Review governing bodies, academy structures and vacancies.

Set priorities, timelines, operating procedures and resource requirements.

Build usable directories of artists, fellows and vendors.

Strengthen Delhi Archives, its website and public reach.

Develop regular design, media, radio and social communication.

Create routes for online participation and district-level cultural centres.

How the policy was developed

Led by Deputy Chief Minister Manish Sisodia, with a committee drawn from cultural practice, education, cinema, heritage, community art, music and technology.

Pooja Sood · Ira Bhaskar · Manoj Bajpayee · Ashwani Kumar · Vineet Nagar · Beena Vyas · Abhinandita Dayal Mathur · Sohail Hashmi · Brin Desai · Aastha Chauhan · Javed Jaffrey · Latika Gupta

Approach

Policy research, strategic framing, programme architecture and communication connected institutional reform with neighbourhood access, cultural participation and long-term public value.